Tag Archive for 'Third Eye Blind'

SanFran MusicTech Summit 3: Albums Die, Social Media Kicks Ass, and Songs Find a Home

For those of us in the music tech space, attending an industry event can be a great opportunity for fruitful networking, a way to keep up with emerging technologies, and a place to learn from brilliant people. Or it can be boring and kinda pointless if not well run. Luckily for us, Brian Zisk has a knack for recruiting excellent panelists, solid sponsors, and exciting new startups to form the foundation of his SanFran MusicTech Summit.

Having attended both the first and second summits as guests, this time around MixMatchMusic was given a presentation slot. Booyah!

An obvious draw for this particular summit was featured speaker Stephan Jenkins, of Third Eye Blind, who had some poignant thoughts on the future of the music industry and the role (or lack thereof) of the album therein.

I heard mixed reviews of the panels overall, but found the ones I attended to be fairly compelling. In “Social Networks: Marketing & Entertainment” there was a heavy emphasis on the power of peer recommendation. As consumers continue to tune out traditional media such as radio and billboards they place more value on social media. When we were asked how many of us thought social networks will influence this year’s election, basically every hand in the room went up. Other topics included microblogging, the death of banners, and viral marketing. Cool takeaway for musicians: Use Pinger to group fans by area code and notify them of a show in their area by voicemail.

In “Building Social Networks around Music”, Rachel Masters of Ning noted that if fans are engaged they are going to buy more. She also said that every musician should have a community manager. This is a great tip. Musicians, or someone they delegate the task to ideally (so the musician can focus on making great music), should be using social media tools as much as possible to engage fans – by listening and responding to those fans and monitoring what is going on in their community and the culture that their music is a part of.

The best part of this summit was the “Special Presentations”. If you’re an emerging technology junkie you’ll understand. A host of interesting startups gave brief demos of their services and were met with a healthy mix of encouragement and skepticism from the audience. The most exciting one was Bandcamp (.mu not .com) – “the best home on the web for your band’s music”.

Rather than spending a grip of cash on a fancy band website for your music or having songs on a ton of profiles on other social networks like myspace, last.fm, and facebook, you can have it all in one place. They will be building out additional features later, but right now they focus on providing the following: ownership (your own design, logo, URL etc), speed and reliability, viral distribution, stats (who are your fans) and being “your fifth (very nerdy) Beatle” that handles everything in the background. And – it’s free. As far as selling your music you have a choice: give it away for free, set a price, or let your fans set the price. Pretty freakin solid.

Also noteworthy were Apture, which helps you “add multimedia to your site in one click”, and JamLegend (currently in private beta), the free online version of Guitar Hero. Speaking of guitars, near the end of the day, a Gibson and some other goodies were raffled off.

Overall, it was another solid event (go Brian!). The bay area locals who attend seem to be getting more and more well acquainted and there are always some guests from afar to spice things up. Then there is the cocktail party, where the tech nerds, rock stars, marketers, and their respective fans mingle. Always an interesting mix…

View more pics here.

Singles and Fame: Stephan Jenkins and Eminem

At the San Francisco Music Tech Summit, which MixMatchers have written about and are currently attending, Stephan Jenkins of Third Eye Blind spoke yesterday regarding the music industry and its future. While I have inside word that the introduction given to Mr. Jenkins’ was a bit gaudy and overblown, he had some interesting thoughts on the future of music and music downloads. What I found most intriguing about his comments was the support he seems to exhibit for the thought process I’ve followed the past couple months, especially in the “What I’m Hearing Now” posts, that the more control the consumer has over what they buy, as opposed to what they’re forcefed by labels (think full albums for $17), the more interested they’re going to be, and the less potential for album filler will exist.

While I think the album can remain an integral part of the music industry, the time when it ruled the Earth is done and gone. There’s a lot of bands out there that don’t deserve full albums, or simply don’t have enough quality material to fill one. Furthermore, with more and more options in terms of buying music, consumers have no reason to buy larger albums when they can save money and have only the music they want. Let’s not forget that not only does the full album raise the price considerations, but simultaneously eats into storage space which can cost additional money in CD and external hard drive back up options. Personally, I’ll listen to every song sample of an album on iTunes. I then make an album purchase decision based on the number of tracks I like enough on their own to buy, and if the difference between that cost and the full album cost makes sense. When I speak of albums remaining an integral part of the industry, I’m speaking of concept albums and others where the coherency and enjoyable aspect of the music is tied directly to its place in the entire album. I think Radiohead’s Kid A, Dave Matthews Band’s Before These Crowded Streets, and edIT’s Crying Over Pros for No Reason are all examples of albums where the whole is more than the sum of its parts.

In other music news I found interesting, Eminem has been out interviewing with folks in advance of his new release. Apparently, in hiding, Em has been working on the album Relapse with Dr. Dre for quite some time. Given that chatter is starting to heat up regarding Dr. Dre’s long-awaited Detox album, one has to wonder how much cross-over work is being done by these two, and if and to what extent they influenced each other on albums coming many years after their most recent predecessors. But it’s nice to know that Eminem has had his share of fame and now would just like to make music…he’s been at his best when he concentrates on what brought him to the dance.