Archive for the 'video' CategoryPage 12 of 15

Breakdancing to a Slow Sad Indie Song

I keep watching this video by Jordan Clark over and over. Maybe it’s that the simple melancholy feel of the song (“Irene” by Caribou) fits the rather sad and wistful mood I’m in right now. Or maybe I’m fascinated by the Cirque du Soleil-esque agility with which these guys are demonstrating their rather unusual human movement. Either way, this video is a beautiful example of how to mix and match two unlikely elements together with a surprising outcome. As the Listening Post notes, “with the right editing techniques, it’s possible to breakdance to anything, even low-tempo indie music”.

Speaking of human movement, here’s another one I found interesting. While the kid is not breakdancing per se, it’s pretty amazing what the human body is capable of.

Then again, if you get an early start like this little guy, you can train your body to do all sorts of crazy things. Here’s another badass b-boy video – this time set to more traditional breakdancing music. This guy is off the hook. Watch for the clip at 2:53 when he does push-ups with his feet off the ground…Nuts.

Feel Good Fusion

Feel Good Fusion
While a lot of the conversations around here center around evolving and mixmatching music, and the resulting sounds, an important aspect of the MixMatch culture centers around combinations of various media methods and the resulting entertainment. Down in Los Angeles, DJ Denkym (Denny Kim) has created just this type of event in his once (but soon to be twice) monthly event, Feel Good Fusion (http://losangeles.going.com/feelgoodfusion) A few months ago while I was down in LA, I met up with DJ Denkym, a former roommate and colleague from USC and KSCR, for his first Feel Good Fusion event. Denkym worked as Hip-Hop director while consistently honing his craft as a DJ. While a large portion of his influence is rooted in hip-hop, his love for numerous cultures and musical styles is a cornerstone of his mixing. The idea behind Feel Good Fusion is based in the notion of bringing together mixing, free-styling, painting, sculpture, dancing and other performance art into the same place to celebrate the combinations that are created when these cultures and mediums intertwine.

At the inaugural show, the turnout was great. Everyone in attendance was genuinely glad to be there, and the vibe was stellar. From outstanding turntable work to interesting MCs to the collaborative painting shown below, the connection between art and music was greatly pronounced, and everyone there was into the crafts. These two artists worked on separate canvases throughout the evenings, bringing their creation together at the end of the night: FGF Art

The next Feel Good Fusion event is at the end of this month, the 28th of March (and every last Friday of the month), and the cast is expanding steadily. Along with resident drummer Muraoka, Zach and Greg mixing videos, and Shokase, Matter and Seano joining Denkym on the turntables, artists Will Hsu, Bzarro, Nice Penguins and DPD will be on hand. But now there’s more mixmatch than just the art and the djs to go see…at the next Feel Good Fusion, very special guests Paul Dateh and Inka One, known for their Hip-Hop Violin performances, will be throwing down. These two have been going nuts on YouTube (over 1,000,000 views), and have steadily been increasing their performances around the area. Inka One on the turntables, Paul Dateh on the violin, these two will be doing a full 20 minute set.

In anticipation of this month’s event, and spreading the word about future events, I asked Denkym what the initial idea was behind Fusion, who he worked on it with and what the overall philosophy behind the event was. This is what he had to say:

“The idea for Feel Good Fusion materialized when I was given the opportunity to throw a monthly event in Pasadena at the Terrace on November 30, 2007. The opportunity could not have come at a better time – as I was transitioning into a new full-time job that was causing me to step down from living the full-time DJ life. At the time, I was sick and tired of the club scene in Los Angeles and very uninspired as to what I was doing with my music and DJ career. Simply put, making my money as a DJ was no longer a FUN thing for me, but merely another job to perform so that I could get paid. I was caught in the paper chase and I was failing to fulfill my needs as a music connoisseur / social catalyst.

With the new job, I wasn’t really hurting for money, and so I was free to choose my DJ gigs based on how much I would enjoy spinning it as opposed to how much I would get paid for providing a service. It’s weird to say, but it felt GREAT turning down the high-paying DJ gigs that required me to play mindless music for crowds that I really had no connection with. That shift in mentality was what sparked the concept for Feel Good Fusion. The musical mission became very clear at that moment….DJ because I love DJing, play the music that I want to play, and of course…FEEL GOOD about it!

As I was searching for nightlife events at which the music was dictated by the DJ’s persona and not by the pop-hungry crowd, I was randomly approached by Joseph Lee (owner of the Terrace) to start a monthly event at his venue. He had seen my myspace and was impressed by the diversity of music in my mixes. He was willing to give me a night with full creative control just as long as I filled the venue and bar with people. I jumped at the opportunity for several reasons…1) The venue is in my hometown…PASADENA! 2) I can play whatever I want 3) I needed a challenge – Keep in mind, I have NEVER organized an event on my own!

With the opportunity at hand, I decided to reach out to my network of fellow DJ’s, VJ’s, musicians, producers, artists, bboys, bgirls, and emcees that I’ve met over the years to see how I could get them involved with the event. “Just be YOU and come out to Feel Good!” I would tell them. A few blunts later, I decided to fuse everything together into what formally became the FEEL GOOD FUSION – A Tasty Blend of Music & Art. It’s a full out Audio & Visual presentation of Hip-Hop culture, Music, Art, Life, and Feel Good Vibes!!

On a Feel Good Fusion night, expect to see:
Dope DJ’s rocking on 4 turntables, VJ’s broadcasting visuals on 6 screens, a live drummer keepin time, live paintings and Mixed Media creations, Bboy/Bgirl circles, open mic sessions (strictly Freestyles only!), scratch sessions, special performances TBA every month, SMILES, and lovely bartenders.

Since the first show in November, Feel Good Fusion has grown immensely and I only expect it to get bigger and bigger! My goal is to pack the place with 500+ people who are looking to feel good on a Friday night by the early Summer. It’s only once a month now, but starting in May or June, we will be operating twice a month. I have plans to book lots of ‘next level’ acts and spread the Feel Good Vibes to Los Angeles and beyond in the near future. A perfect example of a ‘next level’ act would be the guest performers for the March 28th show. Paul Dateh & Inka One will be performing a special Hip-Hop Violin & DJ collaboration set that is not to be missed. They have over a million hits on Youtube for their 5 minute segment, and you can expect to see a full blown 20 minute set in March. Don’t sleep on this one!

The amount of support and positive feedback that I’ve received has been amazing, and I want to thank the whole Feel Good Fusion team and regular patrons for making the Feel Good Fusion the dopest event in Pasadena!!!! For booking information: email djdenkym@gmail.com or goto www.myspace.com/denkym

So there it is for all you Los Angeles folks looking for a way to support the mixed media arts scene and feed your inner hip-hop hunger. The Feel Good Fusion event is one that seeks to bring together a vast and diverse crew of artists and musicians to help fuel the integration of styles, cultures and mediums. It’s not only a great night out, but another step in the continuing journey to view music and art in expanding, collaborative and evolutionary ways.

Quirky Singer-Songwriter Chicks

You know the ones – sweet voice with maybe a hint of defiance, lyrics that are playful but actually say something, girl-next-door approachability, quirky personality. Maybe this trend has been going on for some time and I’ve been oblivious, but I feel like recently there are a growing number of artists who fall into this category. They write their own music, find fans online, and forge ahead without the help of big record labels or shows like American Idol, doing the thing they love on their own terms. Personally, I don’t love all of their songs, but I respect what they are doing and how they are doing it.

Here are 5 examples (in no particular order):

Colbie Caillet
The Malibu, California native – whose Myspace profile catapulted her to fame primarily due to her hit song, “Bubbly” (which I think I remember hearing was the number one song used at weddings in 2007) – is the first one I noticed. Her mellifluous voice has a tiny bit of raspiness to it, which is something I’ve always dug in females singers. I’m sure her critics probably write her off as just another feel-good annoyingly saccharine pop artist, but I think she’s pretty solid.
::Official Website::

Sara Bareilles
Here is another Cali girl who I just realized that I went to college with. She sang in the kick-ass a cappella group, Awaken, there. Actually…now that I think about it, I remember her performing at our annual talent show, where another up-and-coming act, Kara’s Flowers (now Maroon 5) also showcased their skills once upon a time. The story behind Sara’s hit, “Love Song”: Her record label, Epic, requested that she write a marketable love song to which she responded defiantly with a song saying “I’m not gonna write you a love song cause you ask for it”. Ironically, it turns out to be…well, quite marketable. Then again, having it featured as the free download of the week on iTunes in June 2007 certainly didn’t hurt either. After that her first major album shot to #1. There is something intoxicating about her voice – that husky lower register and crystal clear tone when belting the high notes. If you watch her in the “Love Song” video, watch for my favorite parts: her confident key-banging piano-playing style, how she stares right into the camera boldy as if she’s saying “what?”, and that mischievous glimmer in her eye.
::Official Website::

Ingrid Michaelson
Best known for her songs on Grey’s Anatomy and One Tree Hill, as well as that Old Navy sweater song, “The Way I Am“, the New York native is an excellent example of another artist who self-produced her albums and found fame on the internet. Her sound is edgy but simple, her lyrics are honest and unapologetic, and even her look is quirky and just real.
::Official Website::

Lilly Allen
One of my favorites is this English singer-songwriter, another Myspace darling, but that might be because anyone who sings with an accent automatically gets a ton of street cred and extra stars in my book. Her hits, “Smile” and “LDN” are deceptively catchy and sweet tunes, but the lyrics give you a little insight into the girl and her somewhat rocky history.
::Official Website::

Regina Spektor
Another international import, Russian-born Regina Spektor is classically trained in piano and initially gained recognition in New York’s anti-folk scene, where “the music tends to sound raw or experimental, and generally mocks the seriousness and pretension of the established mainstream music scene and also mocks itself.” Her music is diverse, from the light girly sound of songs like “Fidelity” to her more edgy and whiny sound in “Us“.
::Official Website::

Throw Me the Statue Take Away Shows: Lolita/About to Walk

Odds are that if you noticed that I continue to pump Throw Me the Statue and longtime high school/MixMatchMusic friend Scott Reitherman of El Granada and Crystal Springs Uplands, you’ve probably come to the realization that I’m not going to stop now. As hinted at in “Take Me Away,” three Take-Away shows by TMTS and hosted by La Blogotheque were released yesterday. “Lolita,” the reigning choice for first single, “About to Walk,” and a Guided By Voices cover of “My Valuable Hunting Knife” were all released. I think the simplistic style worked both positively and negatively in these videos…it helped bring the persona of the band and the laid back attitude they carry to the masses, at the same time it’s a bit less polished in the performance. But what do you expect acoustically on a ferry crossing the Puget Sound? And they’ve all already blown up…close to 1,000 views of each video within 24 hours. Be on the lookout for Scott and TMTS at the Great American Music Hall next Thursday, the 28th, in San Francisco.

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Take Me Away

One of the most satisfying (or least, depending on who and when you ask) aspect of listening to an artist is discovering how that artist sounds live in concert. The instrumentation, the lighting, the changes in the songs all brought out for live performances can usually significantly change the experience. But concert tickets are expensive, bands tour, but usually in limited locations and venues (or for folks living in places like Idaho, maybe never and nowhere), and even in an amphitheater, there’s a certain feeling of disconnect from the band. In conjunction with this is the fact that it usually takes some sort of “unplugged” event to get an artist who would normally not be, to go acoustic. Mathieu Saura, a 27 year old from Paris who goes by the name Vincent Moon, has found the solution.

Fueled by passion for music and cinema, Saura launched Take-Away shows in 2006. A collection of now over 80 music videos, created by musicians, featuring them playing a song in a stripped down, improvised version as they walk through public places and streets, the Takeaway shows are now experiencing a wealth of attention from the media, including CNN. Saura has managed to mix the music video form with the internationalist appeal of music to bring artists from all over the world and all different musical styles together. These impromptu videos, taken usually around the band’s hometown or in the streets of Paris, offer a very real and low-tech look at a variety of artists, and provide a very different backdrop for the songs usually associated with CDs and radio airplay.

Furthermore, Saura doesn’t feel the need to upgrade to a high-tech feel because of the equipment initially available on the launch of the venture, and his desire to keep the product consistent and authentic. The variety of artists is astounding, featuring Arcade Fire, my long time favorite Elysian Fields, and previous Evolving Music blog subjects Beirut (“Beirut. The City. The Game. The Band.” 10/8/07), Vampire Weekend (“When Vampire Strikes,” 2/8/08) and, so we’re told through the grapevine, soon to be included is Crystal Springs Uplands alum Scott Reitherman and Throw Me the Statue (“Throw Me That Home Coming,” 11/8/07) in honor of their re-released Moonbeams album from Secretly Canadian

Whether you’re looking for some new music, or just a new way to look at music you know, the Take-away shows offer you a chance to see both artists you love and artists you’ve never heard of in new acoustic and public ways. The personal and intimate feeling these videos elicit, combined with the diversity and travelogue aspect of the settings creates a musical experience with the power to transport the listener to places further than the radio singles ever could. And all of it, from the blogs, to the emerging artists, to the new interpretations and portrayals of music, falls perfectly into the growing universe that is MixMatchMusic.