Archive for the 'video' CategoryPage 10 of 15

Music is Our Weapon

“The music is our weapon. We don’t have any pistols any canons or any bazookas. But we have our voice and it is a powerful weapon.”
Democracy in Dakar

After writing about Ugandan Hip Hop, we received an email from someone over at Sol Productions who is good friends with the Diamonds in the Rough crew. He let us know about another project related to hip hop and politics, which I thought I’d pass on to you all. Here are the trailers for their two new documentaries.

African Underground: Democracy in Dakar

learn more…

African Underground: Democracy in Paris

learn more…

I think what the people over at Sol Productions and Nomadic Wax are doing to educate and inspire people is pretty badass. If any of you know of similar projects related to music, politics and activism, do let us know.

Throw Me the Statue Music Video (Lolita)

Our pals in TMTS have gotten around to putting out a video of their song “Lolita,” which can also be heard in the Rhapsody television commercial. It’s been a long trek from the pouring Texas rain of Elephant Blend’s “Texas,” to the Baskerville Hill release of Moonbeams, to the re-release on Secretly Canadian and now to some very solid national exposure and a music video on MTV. Just where will Scott Reitherman lead this merry band of music makers is yet to be seen, but the folks of MixMatchMusic, CSU, and the SMC are excited to see one of their own starting to take flight. Without further ado, “Lolita.”

RIP Bo Diddley

The legendary Bo Diddley died yesterday. He will be missed.

I was having a Bo Diddley YouTube marathon after hearing the sad news and stumbled across this next video. Couldn’t help but smile at the awesome retro cheesiness of this Hollywood a Go Go appearance. I especially love the goofy intro by Sam Riddle and the girls dancing in the background. So classic!

Anyhow, this man was truly a legend. He helped usher in the rock’n’roll era from its blues roots, pioneered new beats like “a shave and a haircut”, and was one of the first American artists to use female musicians in his band. Not to mention his crazy rectangle guitars.

After playing with him at the Fillmore in 1999, Tom Petty summed it up pretty well when he said “Elvis is King, but Diddley is Daddy”.

International Music Spotlight: Ugandan Hip Hop

Those who know my musical taste know I’m a big fan of world music (Putamayo, anyone?) – both traditional cultural music as well as the more modern fusion of ethnic sounds with, say, an awesome dance beat. As such, I’ve decided to start an international music spotlight series with occasional posts highlighting specific genres from specific cultures each time. Off we go!

I’m no expert when it comes to hip hop, that’s for damn sure. But I do know when I hear something I like. And I like a lot of hip hop…and how revolutionary its artists can be. Some of them truly empower their followers with their impassioned lyrics. Some of them are heroes in their communities and fierce activists. Hip hop* is music with a purpose.

*Obviously, I’m referring to the underground (or at least less mainstream) artists whose works are centered around poignant topics like political corruption, poverty, war, HIV, social change etc…NOT mainstream “hip pop” stars who rap about meaningless crap (e.g. money, drugs, sex) but have catchy beats that propel their songs to success in the clubs and on the charts…though those artists certainly have a right to their place in the musical spectrum.

The global hip hop scene could be conceived of as being still in its infancy – at least in terms of large scale awareness. Despite an increasing number of destinations like Flight 808, an international hip hop site/blog, and Nomadic Wax, a “record label, production company and events production company specializing in hip-hop and underground music from around the globe”, most international underground hip hop is, you know, still underground.

Today, I chose to spotlight Uganda, because my aunt has been working in Kampala for several years and it’s next on my wish list of places to travel to.

Ugandan Hip Hop (Lugaflow)

An excellent starting point is this documentary called Diamonds in the Rough:

O’Reilly Radar has a good description of the film, which follows Bataka Squad, a Ugandan hip hop group who raps in their native tongue, Luganda, and uses their art form to raise awareness of local issues, inspire youth and do all kinds of good. Click here for a brief history of the group.

Bataka Squad is a great example of a local group who refuses to sell out and play the kind of music that is popular in favor of staying true to their roots and disseminating their message. Thanks to their perseverance, they have not only garnered a local following among Ugandan youth but have caught the attention of a more international audience ranging from the first African hip hop summit in South Africa in 2005 to the Power to the Peaceful Festival in San Francisco in 2007. They even met Bill Clinton.

After the Artist Activism workshop that I mentioned in a previous post, I’ve been thinking more and more about the inherent power of music and its ability to empower people, spread positive messages of hope and change [insert obvious Obama plug here], and educate the international community about local issues.

On that note…

Grime: The Gritty UK Love Child of Garage, Dancehall, and Hip Hop

A recent post on I Guess I’m Floating, and the comment war that followed it, introduced me to a genre I (much like IGIF writer Nathaniel) had no previous exposure to: Grime.

I won’t go into a detailed breakdown of the origins of the genre, the tendency toward social and political commentary, the stylistic elements and what not. You can all read. Go to the wikipedia link if you’re so damn curious!

What piqued my interest was the debate in the aforementioned post’s comments about which bands are true Grime and which aren’t and whether music-minded people are retarded for not knowing about the genre. Since I fall among the ranks of the uninformed, I did a little poking around.

Clearly, Dizzee Rascal is thought of as the one of the top Grime artists (along with his mentor, Wiley). The “futuristic electronic elements and dark, guttural bass lines” [Wikipedia] of the genre are well represented in Dizzee’s “Graftin”. Some of the commenters suggested Skepta‘s “Sweet Mother”, which I found interesting with the juxtaposition of its frenetic rapping and choppy breakbeats over the laid back islander vibe of the chorus. Listening to his freestyle (9 min freestyle? holy crap…), you get a feel for the competitive element involved in Grime, reminisent of American underground hip hop battles, with all its shit-talking and jab-taking.

I haven’t quite decided whether I like this music or not…but it’s intriguing.

For a good insider view into the genre and culture, check out this Grime Documentary: