Archive for the 'technology' CategoryPage 11 of 26

SXSW Spotlights Artist-Fan Collaboration in New Film About Music 2.0

published
on July 28, 2009
by
Alan Khalfin
in collaboration, DIY, future of music, music, music business, music production, remixing, technology, tools for musicians, video, and web 2.0
. 0 Comments Tags: , , , , , , , , , , , , , , , , , .

sxsw

Over the last several months, MixMatchMusic has been busy working on a short film for South By Southwest, titled “Remix…A New Way to Engage Fans”. Well, we’re happy to announce that the film is now live and you are invited to see how artists and fans are turning to remixing to connect and interact with fans in a music 2.0 world.

Emerging hip hop artists, the Bayliens, are poster children for a music 2.0 world that is nearly as much about connecting with fans off stage as it is entertaining them onstage.  This film shows how they’re connecting with fans at an almost molecular level, by offering them the musical building blocks of their songs and encouraging them to remix them into new sounds and new songs. The film also features insights from AmpLive (of Zion I) and Trifonic on the power of artist-fan collaboration.

Musicians are navigating a dramatically changed music business landscape.  More than ever, they have to engage and involve casual listeners in order to build deep and lasting relationships with them.  The group behind the video, MixMatchMusic (aka, the dudes writing this post), is focused on helping musicians make those connections and deepening the bonds that link them with fans.

The Bayliens

Happy 30th Birthday Walkman

published
on July 1, 2009
by
Sandra
in culture, future of music, music, music business, music history, technology, and video
. 1 Comment Tags: , , , , , , , .

Happy July, Happy Canada Day, and Happy 30th Birthday to the Sony Walkman. To shed some light on the technological leaps and bounds made since its advent, BBC brilliantly handed one to a 13 year old for a week to review. He (rather eloquently) delineates his experience here.

Luckily, although Sony “initially planned to call the machine ‘Soundabout’ in the United States and ‘Stowaway’ in Britain,” the term Walkman caught on quickly among consumers. In honor of the pesky little device that started it all, lets take a trip down memory road. For those among you who like to delve into model numbers and such minutiae, check out the Classic Walkman Museum.

My personal favorite was always the sporty yellow model. Remember that bad boy?

yellowwalkman

If the Walkman was the iPod’s predecessor, perhaps this commercial planted the seed for all those flashy iPod commercials.

Words can’t convey how rad it was when they came out with a “cassette player as small as a cassette tape!” Want to know more about the how? These guys do a good job explaining how the technology evolved.

Not into collecting vintage electronics or exploring historical perspectives like the young Mr. Campbell? How about using an ancient walkman to disguise an iPod and deter thieves?

Happy Birthday Mr. Walkman. We’ll always love you. Even when Apple puts your maker out of business. You have a very special place in our hearts, right next to Ferris Bueller, Fraggle Rock, and side ponytails.

The Newsletter: a Must for Serious Musicians

published
on June 27, 2009
by
Sandra
in music, music business, technology, and tools for musicians
. 6 Comments Tags: , , , , , , , , , .

Newsletters are an extremely powerful tool for musicians. Communicate with and engage the fans you already have – they deserve your attention and are hungry for information. Grow your fan base by making it easy and appealing to join your community.

If you have a large mailing list you should be using a paid service. You might be familiar with email marketing newsletter services like Constant Contact, Vertical Response, or newcomer Contactology. While some people have great results with these services, people in the music industry should consider using a music oriented service. Some great options to explore include: Fan Mail Marketing, Band Letter, Champion Sound, and Reverb Nation’s FanReach.

Once you’ve chosen which service to use and are staring at a blank template, you might be wondering what to include in your newsletter? How do you make yours stand out? Think carefully about your messaging and your tone. Make your newsletter a reflection of your (or your band’s) identity.

What to include in your newsletter:

– Any relevant news, i.e. tour schedule, album release dates, new music video, link to article mentioning your band etc.

– Something free – and exclusive – like an unreleased song or recording from a live show.

– Invite your fans to interact with you via things like remix competitions, voting on the title for your upcoming album, or submitting art for a band t-shirt.

– Remind fans to add you on MySpace, follow you on Twitter, and become a fan on Facebook (and provide the links).

– Multimedia. Use photos and video to make your newsletter more colorful and interesting.

– Unsubscribe link (any good email marketing service will include this).

Ok, so you’ve got a great design, great content and no one to send it to. Now what? How do you find more fans? How do you make them sign up for your mailing list?

How to grow and manage your mailing list:

– At every live show, have a clipboard with a newsletter sign-up list available. Sweeten the deal with a raffle at the end of the night, e.g. winner gets a copy of your CD.

– Make it easy and appealing to sign up for the newsletter online. The first thing a visitor to your website should notice is a place to sign up for the newsletter. Incentivize them by offering a free download, exclusive track etc.

– Include an automatic thank you page that welcomes each new subscriber.

– Include a link to sign up for your mailing list in your email signature.

– Make it easy to share. Include links or buttons to forward to a friend, share on facebook, share on twitter etc.

Other guidelines:

– Don’t send out a newsletter more than once a month. It’s annoying.

– Get personal. You are a band (or musician) not just a brand. Your fans want to know about the intimate details of your day-to-day.

– Keep the design and content clean and basic. You don’t want your newsletter looking like a pimped out MySpace profile from 2005.

– Be consistent and be patient. Send out a concise yet engaging newsletter once a month and watch your community slowly take on a life of its own.

– Analyze your metrics. Learn from them. Make improvements and adjustments as necessary.

Of course, if your mailing list/fan base is not large enough yet to justify spending the money on a paid service, you can send out newsletters as bulk emails instead. Just BE SURE to put email addresses in the bcc field and give readers the option to unsubscribe (this is usually done by asking them to respond with an email with the word “unsubscribe” in the subject line).

Remember that building a mailing list takes time and patience, but it’s worth every minute. Think of every email address as a real live member of your music community. You want to treat them with the respect they deserve (no spamming), keep them entertained and engaged, and turn them into loyal fans.

Deep Artist/Fan Connections Critical to Success in Music 2.0

published
on June 16, 2009
by
Alan Khalfin
in collaboration, culture, future of music, music business, remixing, startups, technology, and web 2.0
. 5 Comments Tags: , , , , , , , , , , , , , , , , , , , , , , , , .

More than nine million musicians are trying to connect with more than 200 million music fans, according to some estimates. The huge numbers alone would suggest the odds are in their favor. Yet the channels musicians have traditionally relied upon to get their music discovered, promoted and sold are increasingly irrelevant and as a result, musicians are increasingly on their own, without labels, record stores or radio to help them.

“The artist’s challenge is to convert casual fans into loyal fans, and loyal fans into paying customers,” said Charles Feinn, CEO and co-founder of music technology innovator MixMatchMusic. “Getting your music discovered just isn’t enough. Musicians have to engage and involve casual listeners in order to build deep and lasting connections with them, and to convert them to loyal fans. These connections are what drive sales of the concert tickets, band merchandise and CDs artists need to pay the rent and put gas in the van.”

According to Feinn and many other music industry observers, record labels play a smaller and smaller role in breaking new bands or even promoting signed bands. Record stores are disappearing and radio is less and less of a factor in promoting new music. And it’s hard for a new band to breakthrough amongst the millions of songs in the iTunes Store. It’s also true that music fans have changed, acclimated to the read/write web and the social interaction that comes with it, and looking for the same experience with music and the artists who create it.

“While the business part of the traditional music business is breaking down, music is alive and well and there is more music than ever,” said Feinn. “We’re on a mission to help keep music alive, and we’re doing so by helping artists forge deeper and more meaningful connections with fans.”

Feinn said a growing number of artists are turning to new Internet-based initiatives, such as the remix promotions pioneered by Nine Inch Nails and Radiohead, to help them engage with and connect with music fans.

“Involving fans in the creative process by encouraging them to remix and mash up a new song from the musical building blocks provided by the artist, is catching on as one of the best ways to make the artist – fan connection stronger,” he said.

Feinn said that more than 60 artists have launched remix promotions based on MixMatchMusic’s Remix Wizard, a simple-to-use widget that any fan with a broadband connection can use. Artists including Pepper and Zion I have loaded the building blocks of songs – the guitar, bass, keys, drums and other elements called stems, into customized versions of MixMatchMusic’s widget, and invited fans to remix the stems to create new sounds and songs with them. He said the company’s site has received more than half a million impressions since the beginning of the year, and more than 80 thousand plays of fan-created remixes.

Feinn said the Remix Wizard is a fan-friendly approach to the more complex remix technologies employed by Nine Inch Nails and Radiohead. Bands such as Pepper feature remixes submitted by fans on their sites and MySpace pages, and some artists even promise to incorporate especially imaginative fan-created interpretations of their music in future albums.

Feinn said the Remix Wizard is the first in a series of artist and fan friendly technologies from MixMatchMusic designed to forge even stronger and deeper connections.

“Music has the power to bring people together,” said Feinn. “It’s exciting and also humbling to know we’re playing a small part in making those connections happen, through our technology-based products and services that help musicians convert casual music fans into loyal fans, and loyal fans into paying customers.”

mixmatchman_450

SanFran MusicTech Summit 4: Singalongs, Video Interviews, and Twitter Gossip

published
on June 10, 2009
by
Sandra
in collaboration, culture, dance, DIY, future of music, interview, music, music business, technology, video, and web 2.0
. 1 Comment Tags: , , , , , , , , , .

What started out as a seemingly humble local gathering of music and tech geeks has – thanks to its visionary founder, Brian Zisk, gained momentum and recognition and is now the premier event of its kind. For more on speakers/panels from the last three SanFran MusicTech summits, click here. To read my review of any of those three, see below:

SanFran MusicTech Summit 1: Rockstars, Lawyers, Nerds and Me
SanFran MusicTech Summit 2: Guestlist Wish, Artist Activism, and Label Survival
SanFran MusicTech Summit 3: Albums Die, Social Media Kicks Ass, and Songs Find a Home

Now, on to summit #4.

In the second review above, I put in a request for some sort of attendee list (using the Web 2.0 Expo’s use of crowdvine as an example), thinking that this would facilitate more effective networking. Let’s be honest, tech people aren’t always the best networkers. Well thank you Brian for listening to the suggestion! This event saw the introduction of SFMT’s very own crowdvine page! I’m curious to know whether people found it useful?

Speaking of suggestions, musician Chris Stroffolino (also featured in the video below) thinks there is room for a panel on the “fostering of connections between the already established live music scenes in the Bay Area, and the major labels and web-distribution networks.” Perhaps we’ll see this topic discussed further in the future.

Like a nice red wine, this conference is clearly getting better with age. With its shiny new reputation and rapt audience, SFMT attracts a pleasing blend of big names in the music industry, Silicon Valley thought leaders, social media celebrities, and starving musicians. Although, as attendee Kwan Booth points out, the conference overall was noticeably “light skinned and testosterone heavy.” I’m not sure how the demographic breakdown compared to past SFMTs, but it is certainly a good point.

Let’s make a collective effort to change that, shall we? All you minority and female music tech geeks out there: get on it! Next time we want to see you there.

Early in the day, the tone was set when musician Matt Morris, the first artist off of Justin Timberlake’s label, Tennman Records, asked the audience to stop twittering, put down their iPhones and close their laptops. And then proceeded to lead an audience singalong, which he promised to record and post on YouTube. Ah, music 2.0… Here it is:

That whole episode got me thinking about how busy we all are engaging with each other through technology all the time. So much so that we forget to engage with each other in real life. There we were, a room full of music fanatics watching a powerful new voice perform, and some of us were so busy writing witty tweets about the performance or sharing interesting facts about the performer, that we had to be reminded by the performer himself to pay attention!

Matt Morris also got some good face time in the NBC coverage of the event.

Whereas last time I focused on capturing the look and feel of the event through pictures, this time I went with video. All of the following footage was captured using one of those ghetto-fabulous flip minos and edited in iMovie.

Intead of reviewing topics covered, panelist cat fights, and the like, I want to provide a more haphazard organic insight into the experience. Here are a handful of tweets (search #sfmusictech on Twitter Search for more) that tell the story.

donald: Just posted my favorite takeaways from #sfmusictech http://is.gd/BxPF 8:41 PM May 19th

MattMorris: My SanFran trip: met some cool techies (#sfmusictech), ate some good chowder, & had a Twitter name-change (@MattMorrisFeed to @MattMorris). 7:44 AM May 20th

SoulMajestic: Attended #sfmusictech conference in San Francisco. Digital is ruling. Must dig our music into the social networks. 10:46 AM May 20th

hansveld: If you’re in a band or in artist management you really need to check out bandize.com and bandmetrics.com. Very useful services. #sfmusictech 10:24 PM May 18th

KISSmyBLAKarts: Is this why Spears signed to Pepsi @Boothism tip:coke does background checks on every member of every band before they license. #sfmusictech 5:45 PM May 18th

denverdan4life: The gloves are coming out. I hope we see a fist fight over the fact that labels slept at the wheel for almost 10 yrs. #sfmusictech 5:16 PM May 18th

Boothism: true story: preparation H wanted to license “Ring of Fire” for commercial. Fail. #sfmusictech 5:11 PM May 18th

SocialSound1982: “The music industry is the world’s biggest law firm” – Jim Griffin #sfmusictech 4:59 PM May 18th

Thanks to Brian and Shoshana for another great event and I look forward to seeing you all at the next one!