Archive for the 'collaboration' CategoryPage 3 of 19

Remix Inspired Flight

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Inspired Flight. This band has a sound that is hard to describe. And yet, looking at the artists they list as influences on their MySpace page, their sound just makes sense. They’ve really learned how to incorporate some of the subtle and intangible things that make those musicians great musicians.

Their bio says it well. “Rooted in hip-hop and dipping into elements of indie rock, downtempo, dub and dance, Inspired Flight is taking your pre-conceived notion of what a band and DJ are and merging them into something new and quite hypnotizing.” Though their sound clearly incorporates a myriad of different elements, including vocals, keyboards, other exotic instruments, and laptops, this band is made up of just two people –  master turntablist, OpenOptics, and accomplished guitarist/songwriter, Chavez. To learn a little more about their respective musical backgrounds and inspiration, click here.

The duo wants you to join their remix contest, powered by MixMatchMusic. Go on. Have a long hard listen to their song, “It Always Takes,” feel it, breath it, internalize it. (This, by the way, is easy to do because the song is beautiful. It has a haunting melody and something generally mesmerizing about it.) Then, take it apart and re-envision it as your own. Add, subtract, multiply, magnify, simplify, or otherwise modify the song to your liking.

To do so, you can download the stems (for free) and use your own software to remix them, OR if you want to keep things even simpler, click on the MixMaker button and make your mix online. Most importantly, UPLOAD your remix so that you can get credit for your masterpiece! Other people can listen to it, vote on it and share it.

This remix contest runs until January 31st, 2010 and Inspired Flight will choose their favorite submission. The lucky winner will be the featured bonus track on their album, coming in March 2010. Nice! Oh ya, and you’ll also get a limited edition T-shirt and poster, as well as an Eyeball HD Webcam from Blue Microphones. Read the complete contest rules here.

Go. Be inspired!

Souls of Mischief – Montezuma’s Revenge Review

Montezuma's Revenge, Steven Lopez

When you approach a decade between albums, especially in a genre as fluid and fickle as Hip-Hop, you run the risk of falling into irrelevance. Hieroglyphics Imperium’s Souls of Mischief, however, isn’t worried about perception. They’re worried about putting out what they consider quality music on their time schedule.

This isn’t to say that the past nine years have been absent of new music for the crew. Opio and A-Plus have both released solo albums and Tajai has remained consistently busy with solo and collaboration projects. After the 2003 release of Hieroglyphic’s sophomore album, Full Circle, the rumors of a new Souls of Mischief album kept building, but nothing seemed to surface. Even after an early 2009 interview where Opio and Tajai mentioned plans for a new song for download every week from Hiero Imperium, the only news of new Souls was more rumor. After such a long hiatus, it wasn’t surprising to see the release date for the long-awaited album pushed from November 10th to December 2nd.

It’s worth the wait.

Sporting cover art from renowned artist Steven Lopez, Montezuma’s Revenge drops today and should provide a healthy reminder of why this crew has retained credibility and a solid fan base despite the lack of regular releases in the flavor of the month hip-hop industry. Cover art isn’t the only place they brought in talent though, and the results are fantastic.

You only need a minimum of knowledge of Hip-Hop to have heard the name Prince Paul. Over the past 20 years, he has carved out a spot as one of the innovators, creators and most well-known producers in the industry. He has participated in groups from the ’80s pioneer Stetsasonic to the horrorcore originators, the Gravediggaz. With Paul announced as the primary producer for the album, it was anyone’s guess what direction the sound might head towards.

Prince Paul has chosen to take the backbone of the Souls of Mischief sound and amplify it with his personal flourish. The heavy basslines, creeping melodies, kicked back beats and slick guitar and string loops the Hiero crew members favor are all here, combined with catchy hooks, clever samples and seamless production in vintage Paul fashion. The resulting tracks are audio canvases that provide Tajai, Opio, Phesto, and A-Plus room to roam lyrically while sounding completely at home. Under Paul’s production, the group finds a consistency and energy missing from their solo efforts and reminiscent of the debut album.

“Postal” offers a lush string background and uptempo beat as the group raps about heartbreak and break-up, effortlessly making a down topic into a head-nodder. “Proper Aim”‘s addictive and naked bass line follows the one rapper at a time format and makes a good introductory track to new listeners still attempting to attach voice to group member. “Dead Man Walking” utilizes the constant keys and scales of West Coast rap to back lyrics dealing with vengeance and the street.

“Home Game” is an old-school cruising track with music, weed, driving and women as focus, lyrics finding the blend of relaxed flow and taut tempo. The album closer “LaLaLa” features quick back and forth between the group members over a drum and guitar sample combination and interspersed tambourines. The quick jigsaw exposes the chemistry of these four, never missing a beat or word between complex rhyme schemes and multiple voices.

And in between all of these songs? Tracks that show Prince Paul boosting the rich history of sound and style native to Souls of Mischief while letting Souls of Mischief effortlessly demonstrate the tenacity, chemistry and complexity of lyricism that has been their calling card since ’93. This one could be around for a while too.

Remix Filthy Dukes & Win a Day in their Studio!

filthy-dukes

Most musicians have started to realize the importance of social media. And by social media I mean more than just having a MySpace page for your band. While not all of them are on twitter like they should be, many have at least figured out where their target listener demographic hangs out. One band that is clearly ahead of the curve is British synthpop trio, Filthy Dukes. The first thing you notice on their website is the social media links to Facebook, MySpace, Bebo, YouTube, Flickr, Last.fm, Wikipedia, and Twitter.

In addition to being thoroughly dialed in to the social media world, Filthy Dukes also understand the importance of artist-fan interaction. Not only are they  letting fans into their world, they’re letting fans become part of the creative process. For example, on their site they had this announcement: “Come have a go at the Tupac Robot Club Rock rap and appear in a Filthy Dukes video!”

Get in on the action yourself and have a go at remixing their song, TupacRobotClubRock, using MixMatchMusic’s Remix Wizard. The song is an electro-rock banger, complete with dirty synths, driving beats and several different vocal tracks for you to play with. The winner will win a day with the Filthy Dukes in their very own studio! Not only will you get the chance to see the band at work, you’ll get to perfect your own remix on the mixing desk of Conny Plank, Kraftwerk’s legendary producer. This is the very mixing desk, built to Plank’s own specifications, that was used on everything from Autobahn to the Eurythmics’ debut and Ultravox’s Vienna. This piece of musical heritage is now pride of place in the Filthy Dukes’ studio.

Get remixing for your chance to bag this amazing unique opportunity! Depending on your audio editing expertise (or lack thereof) you have two options available to you. You can either download the stems for free and use any software you want (go nuts!), or just click on the MixMaker button on the widget to make a remix in MixMatchMusic’s simple online music editor, which is fairly intuitive and easy-to-use for the layman, yet still full of cool features. This is also a great way to just see how the song was made. Once you’ve completed your remix, don’t forget to upload it so that others can listen to, vote on and share it.

Filthy Dukes will select the winning remix, taking into account the votes and rating each remix receives on the Remix Wizard widget. The deadline for entry is 1/11/10. Date in the studio TBA on consultation of band and winner. No purchase necessary. No transport or accommodation included. No prize alternatives offered.

Filthy Dukes Remix Contest

Lyrics Born Announces Remix Contest Winners

Yesterday, Lyrics Born announced the winners of the “Pushed Aside, Pulled Apart” Remix Contest on the latest episode of Lyrics Born TV. LB’s contest with MixMatchMusic ran for one month, during which time 24 great remixes of “Pushed Aside, Pulled Apart” were submitted by fans. All in all, Lyrics Born was really impressed by the quality of the remixes and very appreciative of all the hard work put in by fans. Check out his announcement here:

Congrats to Swingset Committee (aka David Dahlquist and Andrew Belinsky) for winning the contest with their sweet electro remix of the song! Listen to and download their remix here. The 1st runner prize went to DJ Dream for his “Pushed and Pulled” remix — listen to and download it here. And, the second runner up prize was won by Denis the Fish (aka Niko Melaluka) — listen to and download his “Big Fishy” remix here. All winners will receive, among other things, a pair of Sutro Vision sunglasses (signed by LB)!

Swingset Committee

Swingset Committee

Sutro Sunglasses

Sutro sunglasses

To listen to all the remixes submitted,  check out the widget below. Be sure to tell us which remixes you like the most!

Help Photek Make a Song and Win!

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Calling all DJ’s, Producers and Recording Artists!!

Talenthouse is partnering with MixMatchMusic‘s online remix technology to give you the chance to remix Photek’s track and submit it to Talenthouse for a chance to be on an upcoming Photek release. For all of you Drum & Bass lovers out there, here’s your chance to help Photek finish a song! Photek, who has been producing and spinning creative drum and bass since 1992, is looking for dubstep and 4 to the floor remixes of his Drum & Bass track, “Fake ID”. He’s asking creators to produce a banging track that people would want to hear in a club. Our friends at Talenthouse say that they’re not looking for Photek clones, but for people to be original. Can you dig it?

If your remix is selected by Photek and the Talenthouse community, it will become an official Photek release and you will be credited in full as the official remixer and receive full promotion and distribution.

How to participate:
The Photek “Fake ID” remix contest can be found on the Talenthouse website as well as in a Remix Wizard that has been setup for the contest.  Stems can be downloaded from either place, but please be sure to upload your remix to both places. If you don’t have any music making software, you can use MixMatchMusic’s MixMaker to make your own remix online! For a complete list of rules and requirements, check this.

Who is Photek?
Although Photek is recognized as one of the founding pioneers of Drums and Bass, what sets him apart from the crows is his amazing ability to take the signature Photek sound to different places, outside the D&B genre.

While on Virgin Records, he managed to chart some of the most groundbreaking music into mainstream consciousness with the albums “Modus Operandi” and “Solaris”. His singles have spanned the full spectrum of electronic music, with straight up club hits like “Mine To Give” to the most legendary & abstract “Ni Ten Ichi Ryu”. It is this versatility and originality that has made Photek a favorite among artists such as Trent Reznor, Andre 3000, Bjork & David Bowie.

Originally from London, Photek is now based in Los Angeles where he finds himself evolving into an ever broader range of music through film music and artist collaborations. The UK/USA connection seems to have worked out perfectly for Photek, with the “Love & War” named Single Of The Week on BBC Radio 1 in London and his mixes of NIN’s “The Hand That Feeds” a hit on KROQ in Los Angeles.

Here’s a little taste of some of Photek’s remix, production, and score credits:
Nine Inch Nails, David Bowie, Bjork, Gwen Stefani, Goldie, Zero 7, Shy Fx/Elephant Man, Everything But The Girl, Roni Size “Reprazent”, Beth Orton, Attica Blues, London Electricity, Bumblebeez, Therapy, The Faint, Ringside, Jem, Rairbirds, Craig Armstrong, M. Night Shyamalan’s – Signs, Six Feet Under, The Matrix – Animatrix, The Italian Job, Stay, Invincible, American Wedding, Dreamland, Blade, City Of Industry, Raising The Bar.