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SF MusicTech Summit 5: Google Music, API Aficionados, and Pandorable Cars

SF MusicTech has come a long way since its inception less than two years ago. It’s kind of a big deal now – even Google was there this time. The media has become increasingly interested in the discussions happening at SFMT since they happen, you know, at the bleeding edge of music/tech. Naturally, SFMT founder – the ineffable Brian Zisk – is more than happy to chat with the cameras. You can truly see the passion in his eyes and hear it in his voice. This guy is the personification of music/tech.

If you’re new to Evolving Music or SFMT you might want to read our reviews of the previous four summits below for some context.

SanFran MusicTech Summit 1: Rockstars, Lawyers, Nerds and Me
SanFran MusicTech Summit 2: Guestlist Wish, Artist Activism, and Label Survival

SanFran MusicTech Summit 3: Albums Die, Social Media Kicks Ass, and Songs Find a Home
SanFran MusicTech Summit 4: Singalongs, Video Interviews, and Twitter Gossip

Google’s involvement this time around could be the harbinger of a new chapter in the music/tech saga. With their recent foray into music search, Google has presented the confused and conflicted music industry with a powerful new ally. While their new service is definitely still bumbling about in the dirty diapers of its infancy, it’s clear that Google has grand plans for it. At the summit, they emphasized a “search-driven, partner-delivered” strategy.

Another theme, especially among the geekier of the attendees, was that APIs can set you free. Not only do APIs enable the ever-increasing plethora of clever mashups out there (e.g. JamBase + iTunes music library = iConcertCal) to be born, but ultimately they help blur the line between content and context and serve up what the end-user has (knowingly or unknowingly) wanted all along: cool ways to experience music.

Whereas social media was a big talking point at past summits, it seems now to be a foregone conclusion. It’s not about convincing music people they need to use social media. Everyone pretty much gets that now. And if they don’t… well, “If your label and your manager don’t get digital or social media, FIRE them,” was one way to put it. Here’s another savvy social media quote overheard by the Hypebot folks: “Facebook doesn’t need a music strategy, music needs a Facebook strategy.”

The always cool Pandora admitted to working on what will hopefully be built-in Pandora capability in cars. Plenty of auto makers already offer built-in iPod adaptors. Why not built-in Pandora?

In addition to Google, a host of other cool sponsors were to thank for SFMT #5. Of note: Heatwave Interactive, which is seeking to “fundamentally revolutionize the entertainment landscape by creating innovative cross-media properties for gaming, film, music and television,” the web domain extension dotMusic, which is exactly what it sounds like, and Collecta, which offers real-time search through popular blogs and social media.

Once again, the SanFran MusicTech Summit brought together the thought leaders of music, tech, and that living breathing intersection of the two for hours of heated debate, deal-making, and good vibing. One can only wonder what cool new ideas and companies will be born as a result of conversations had and relationships built that day.

Remix Inspired Flight

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Inspired Flight. This band has a sound that is hard to describe. And yet, looking at the artists they list as influences on their MySpace page, their sound just makes sense. They’ve really learned how to incorporate some of the subtle and intangible things that make those musicians great musicians.

Their bio says it well. “Rooted in hip-hop and dipping into elements of indie rock, downtempo, dub and dance, Inspired Flight is taking your pre-conceived notion of what a band and DJ are and merging them into something new and quite hypnotizing.” Though their sound clearly incorporates a myriad of different elements, including vocals, keyboards, other exotic instruments, and laptops, this band is made up of just two people –  master turntablist, OpenOptics, and accomplished guitarist/songwriter, Chavez. To learn a little more about their respective musical backgrounds and inspiration, click here.

The duo wants you to join their remix contest, powered by MixMatchMusic. Go on. Have a long hard listen to their song, “It Always Takes,” feel it, breath it, internalize it. (This, by the way, is easy to do because the song is beautiful. It has a haunting melody and something generally mesmerizing about it.) Then, take it apart and re-envision it as your own. Add, subtract, multiply, magnify, simplify, or otherwise modify the song to your liking.

To do so, you can download the stems (for free) and use your own software to remix them, OR if you want to keep things even simpler, click on the MixMaker button and make your mix online. Most importantly, UPLOAD your remix so that you can get credit for your masterpiece! Other people can listen to it, vote on it and share it.

This remix contest runs until January 31st, 2010 and Inspired Flight will choose their favorite submission. The lucky winner will be the featured bonus track on their album, coming in March 2010. Nice! Oh ya, and you’ll also get a limited edition T-shirt and poster, as well as an Eyeball HD Webcam from Blue Microphones. Read the complete contest rules here.

Go. Be inspired!

Nominate MobBase and MixMatchMusic for the Crunchies!

crunchies_logo

Have you heard of the Crunchies? As stated on the website, they “are to technology what the Oscars are to Hollywood.” This event is co-sponsored by GigaOm, VentureBeat and TechCrunch and for all of us start-ups, being considered for an award gives us some nice exposure. And the chance to win!

This is where we need your help. It literally only takes a few seconds, and you can vote everyday. You have until Friday, December 4th, but instead of putting another item on your to do list, why not just nominate us right now?!

If you want to be even more awesome and help us get the word out – or if you are a social media geek and can’t help but document your every move – you can easily broadcast your nomination on Twitter and Facebook or embed a voting badge on your blog (like we did below). Thanks!

MobBase is up for Best Mobile App:
And MixMatchMusic is up for Best Boot-Strapped Startup:

The Pixies Celebrate 20 Years of Doolittle – Grab 4 Live Tracks FREE

Like the Pixies? To celebrate 20 years of Doolittle, their epic 1989 album, the band is offering 4 tracks from a live show in Paris free with the help of Top Spin Media. Grab them below!

Remix Filthy Dukes & Win a Day in their Studio!

filthy-dukes

Most musicians have started to realize the importance of social media. And by social media I mean more than just having a MySpace page for your band. While not all of them are on twitter like they should be, many have at least figured out where their target listener demographic hangs out. One band that is clearly ahead of the curve is British synthpop trio, Filthy Dukes. The first thing you notice on their website is the social media links to Facebook, MySpace, Bebo, YouTube, Flickr, Last.fm, Wikipedia, and Twitter.

In addition to being thoroughly dialed in to the social media world, Filthy Dukes also understand the importance of artist-fan interaction. Not only are they  letting fans into their world, they’re letting fans become part of the creative process. For example, on their site they had this announcement: “Come have a go at the Tupac Robot Club Rock rap and appear in a Filthy Dukes video!”

Get in on the action yourself and have a go at remixing their song, TupacRobotClubRock, using MixMatchMusic’s Remix Wizard. The song is an electro-rock banger, complete with dirty synths, driving beats and several different vocal tracks for you to play with. The winner will win a day with the Filthy Dukes in their very own studio! Not only will you get the chance to see the band at work, you’ll get to perfect your own remix on the mixing desk of Conny Plank, Kraftwerk’s legendary producer. This is the very mixing desk, built to Plank’s own specifications, that was used on everything from Autobahn to the Eurythmics’ debut and Ultravox’s Vienna. This piece of musical heritage is now pride of place in the Filthy Dukes’ studio.

Get remixing for your chance to bag this amazing unique opportunity! Depending on your audio editing expertise (or lack thereof) you have two options available to you. You can either download the stems for free and use any software you want (go nuts!), or just click on the MixMaker button on the widget to make a remix in MixMatchMusic’s simple online music editor, which is fairly intuitive and easy-to-use for the layman, yet still full of cool features. This is also a great way to just see how the song was made. Once you’ve completed your remix, don’t forget to upload it so that others can listen to, vote on and share it.

Filthy Dukes will select the winning remix, taking into account the votes and rating each remix receives on the Remix Wizard widget. The deadline for entry is 1/11/10. Date in the studio TBA on consultation of band and winner. No purchase necessary. No transport or accommodation included. No prize alternatives offered.

Filthy Dukes Remix Contest